Silhouette on Soft Pastel 'Marbled' Paper




Charli B (Year 2)

Demi B (Year 2)

Joe F (Year 7)

Kira M (Year 2)

Libby E (Year 2)

Luka M (Year 2)

Luke B (Year 2)

Tasman S (Year 1)

Chan N (Year 2)

Charlize C (Year 2)

Daniel O (Year 1)

Jakobe C (Prep)

Jordan O (Year 3)
Madeleine M (Year 1)


Sascha B (Prep)

Sophie K (Year 2)

I was looking for a different application for soft pastels - and a way to creatively use all the little left over bits and pieces that seem to accumulate at an astonishing rate! On Pinterest I stumbled upon this great lesson from artisan des arts, using a technique I had never seen before - using soft pastels almost like a marbling medium! I'm not really sure how to label this one - it's not exactly marbling, but it's not a painting either. Either way, it's great fun and very effective - these on-line photos really don't do them justice!

I set up a table with 2 water trays (I used biscuit baking trays), paddle pop sticks and two baskets of old soft pastels (sorted into warm and cool colors).

Everyone gathered around for a demonstration -
1. Use a paddle pop stick to scrape course dust from the soft pastels onto the water, where it floats. Make sure you get a good layer of soft pastel on the water.
2. Hold the paper (I used quite a heavy weight 120gsm) in a U shape over the water and lower gently
3. As soon as the paper touches the water, let the sides curl down onto the water surface. This is pretty much the same technique used in traditional paper marbling... by touching the center of the paper first it stops (most) bubbles from forming between the paper and the water. Of course contact is needed for the paper to 'lift' the soft pastel from the water, so wherever there are air bubbles there will be no color.
4. Immediately lift the paper off the water and onto newspaper to dry flat. (It still curls, but once dry can be rolled in the opposite direction to re-flatten).

I set the class up at their desks with drawing materials and a sheet of A4 drawing paper folded into 4 rectangles. We talked about silhouettes, and the importance of creating interesting shapes, as once cut out it will only be seen as a solid shape with no inner detail. We brainstormed objects that would make interesting silhouettes, but other-wise I left their silhouette design completely open. They were asked to work on 4 different ideas, the best of which they would later use in their finished piece.

While they worked on their designs, I rotated students in to take their place the table to create their background.

Students then transferred their favourite design onto black paper, cut them out and glued them onto their backgrounds. For these sorts of projects I use glue pots made from small cylindrical screw-top  plastic bottles and small skewers. I've found this really helps them to remember the 'just a dot, not a lot' rule, as each dip of the skewer only gives them 2 or 3 dots! I put less than a cm of white student PVA glue in each pot which is shared by 3 students. The pots are re-sealed at the end of each lesson (being careful to wipe the rim with a damp cloth so that it doesn't glue itself shut!) and generally last a week (for me, that's 5 lessons) without being topped up (saves a lot of wasted glue). I wash them out at the end of the week, so the pots never become clogged with dried-up glue.

The results of this lesson are just amazing! I love the marbling effect and silhouettes always look so dramatic! Best of all, it's easy and fun to do!

# An additional note: Each time I teach a lesson, it morphs a bit as I make changes to the delivery, content or process. Go to my latest Silhouette post to see the changes I've made to the marbling process of this activity!

Kite-surfers, Pinterest & A Little Gripe!

Maroochydore Beach, Sunshine Coast

A windy day at Maroochydore, and the kite-surfers are out in force! They can be very acrobatic, so they are great fun to watch! I'm working on a kite-surfer art lesson ...... coming one day soon ......

I discovered Pinterest in August this year and since then have gradually changed my whole method of planning and recording lesson ideas, projects that I want to do and projects that I've done. Apart from anything else, it's saving me a heap in printer ink, plastic document sleeves and ring-binder folders!!

It was also through Pinterest, by following the links back to the original sites, that I discovered the world of art teacher bloggers - which in the few short months since I began blogging has also transformed how I work in many ways. While I have always kept a website to showcase my students' work, the only people who actually got to see it were the students themselves, their parents and anyone they happened to email the site address to. A blog opens the audience out to the whole world! My kids are amazed that people - art teachers no less! - from all over the world are looking at (and often commenting on!) their art work!

I always track back to the original site of a pin because, even if I've used a particular technique umpteen times before, there are often valuable little tips, tricks or variations that I didn't know about within the directions! It's also good to see who they have credited in their post, which you can also track back....

In preparing my lesson for next week, I've found a couple of pins related to the technique I want to use. One went straight to the source (yeah!) but others didn't - it is SO FRUSTRATING to find yourself linked to a home page instead of the post page! What should be a 2 minute job becomes an extended exploration to find the original post... not always easy because many people, myself included, don't always name (or label) their posts with an accurate description of the technique used! So if I can't find it within a reasonable time frame, I give up - and maybe don't credit the correct person when I publish my post (which I really, really try to do!!!)

Like many others new to Pinterest and Blogging, I had no idea at first that there are quite a few (often unspoken and unwritten) etiquette guidelines for pinning and blogging that seem to have just evolved over time. Following them shows respect for the person who generated the idea in the first place, and was generous enough to share.

For all the newbies like me out there (I know the old hands will already know all this stuff!) there are a number of articles out there on pinterest and blogging etiquette - a couple I've found helpful are Pinterest Dos and Don'ts on Minds in Bloom and Pinterest Etiquette on kirstencan. Patty at Deep Space Sparkle also has some interesting tips in her post How to Link Back (and be a blogger's best friend). All are well worth a read!!

More Glasshouse Mountains in Wax Resist


Estelle T-F (Year 3)

Ethan B (Year 2)

Mackenzie R (Year 2)

Lucinda T (Year 5)

Emily H (Year 3)

Jasmin T (Year 5)

Makedde C (Year 1)

Charlotte K (Year 2)

Fatima M (Year 2)

Jake E (Prep)

Kai M (Prep)

Lily L (Year 2)

Millie A (Year 2)

Zoe K (Year 2)

Emma G (Year 4)

Harry O (Year 3)

Kate P (Year 4)

Seanea I (Year 6)

Thomas B (Year 4)

Emily W (Year 2)

Wax resist renditions of the Glasshouse Mountains on Queensland's Sunshine Coast, by my talented students! I think this lesson is improving with each group :) Visit my previous post for details about how we created our pictures, and to read about the aboriginal legend of Tibrogargan, Beerwah and Coonowrin.

Glasshouse Mountains Wax Resist 2



Mitchell O (Year 3)

Ava C (Year 3)

Bronte B (Year 3)

Lucy S (Year 3)

Kane B (Year 2)

Olivia D.W (Year 3)

Ruby D.W (Year 1)

More amazing pictures of the Glasshouse Mountains on Queensland's Sunshine Coast, by my talented Tuesday Group students! Today I placed much more emphasis on the use of curved lines to create depth and to draw the eye around the composition :) Visit my previous post for details about how we created our pictures, and to read about the aboriginal legend of Tibrogargan, Beerwah and Coonowrin.

Glasshouse Mountains



Charlotte Y (Year 5)

Bella Y (Year 3)

Jessica F (Year 6)

Sahana H (Year 3)

Benny K (Year 1)

Dylan W (Year 2)

Lucy R (Prep)

The Glasshouse Mountains are the remains of volcanoes, the central core or plug exposed through gradual weathering, rising from the coastal plain of the Sunshine Coast, Queensland. They were formed more than 26 million years ago. There are 11 mountains in the group, the largest three being Tibrogargan, Mount Beerwah and Mount Coonowrin (often referred to as Crookneck). They have great cultural significance to their traditional owners, the Gubbi Gubbi people.

"In aboriginal legend, the mountains are members of a family with the father being Mount Tibrogargan and the mother Mount Beerwah. All of the other mountains are sons and daughters with the eldest being Mount Coonowrin.

Tibrogargan, the father, observed that the sea was rising and asked that Coonowrin the eldest son help their pregnant mother to safety. Terrified, Coonowrin instead fled. Infuriated by his sons cowardice Tibrogargan pursued him and struck him so hard that he dislocated Coonowrin's neck.

Once the danger passed Coonowrin felt tremendous guilt for his actions and asked his father, brothers and sisters for forgiveness but all wept with shame. This is said to explain the many small streams that flow through the area. Tibrogargan turned his back on Coonowrin and gazed out to sea refusing to look at his son Coonowrin who continues to hang his head in shame and weep." (Wikipedia)

This lesson is inspired by the painting 'Glasshouse Mtns, Sunshine Coast' by local Caloundra artist Damien Lange. I love the composition of his painting, with the mountains sitting on a curved horizon line and river flowing through the foreground. With Damien's kind permission I used his painting to discuss composition, line and movement with the students.

Our pictures are created with a wax resist using crayons and dye. We used black wax crayon to sketch in the horizon lines and mountains, then colors to add linear pattern to the mountains, river and foreground. I stressed to the kids that this was not a coloring-in picture, and discussed the use of repetitive line and pattern to create movement and interest. They were to use at least 2 colors in each area.

The pictures were then finished with a wash of sapphire blue fabric dye (thanks to Gretchen over at Gretchen's Art Blog for this idea - fabric dye gives lovely vibrant color and is a good cost-effective alternative to ink or liquid watercolor for resist work.)

I'm really impressed with what the kids have achieved with this picture! I especially love that we have been able to combine discovering some of the traditional lore of our local indigenous people the Gubbi Gubbi, with appreciation of the work of one of our local artists (thanks so much Damien!)

'Glasshouse Mtns - Sunshine Coast' - Damien Lange